ENTANGLEMENTS: RECENT WORK BY SUZANNE JACKSON, SONYA YONG JAMES, JIHA MOON, SHARON NORWOOD, PAM LONGOBARDI, AND LIZ SARGENT

Curated by Melissa Melissa Messina and Lisa Jaye Young

Artist reception: Thursday, Sept 19th 6:30-8:30pm

Laney Contemporary Fine Art
1810 Mills B Lane Blvd, Savannah GA 31406
http://laneycontemporary.com/

Entanglements is an exhibition of recent work by three Savannah-based and three Atlanta-based artists whose formal and conceptual considerations are rooted in exploring complex social structures, relationships, and ecosystems. Working in a variety of media—painting, drawing, installation, and sculpture, including fibers and ceramics—each artist’s creative practice tracks, teases out, intuits, or otherwise systematizes observations about order and disorder, and perhaps all of the entanglements in between. Their formal decisions serve as conceptual metaphors for the tensions that can be found embedded, or deeply layered, within ourselves, our habits and practices, our cultural assumptions and interactions with others, and our interconnected relationship with the natural environment. The artists’ abstract mapping—in sinuous line work, dense and knotty gestural marks, and expansive and murky spaces—draw numerous connections to urgent and socio-political concerns, such as the impact of environmentalism and the power of personal narrative, while evoking notions of internal conflict and harmony. Many pieces are experimentations in materiality and range from the highly synthetic to the purely organic, sometimes merging both. As such, some works serve to question material dependencies and entire ecosystems, while others engender questions about cultural expectations. And all address the dynamism, associations, and energy of materials and process. Suzanne Jackson’s layered, assembled or structured dimensional surfaces interweave nature and body, real experience with material significance. Sonya Yong James’ and Liz Sargent’s fibers-based practices connect to haptic, sculptural traditions, calling attention to the energy and entropy of materials as active and experimental, intertwined with nature. Sharon Norwood plays on tropes of historic and domestic narratives, and challenges what is considered decorative in her thought-provoking and playful use of ceramic. Jiha Moon’s pop-gestural layers swirl and wend, questioning cultural assumptions of authenticity and confronting misunderstanding. The work of Pam Longobardi, inspired by and created from found plastic detritus, calls immediate attention to a critical stewardship of our environment on a worldwide scale. Entanglements approaches an idea Longobardi often explores, that “not only is no person an island, no island is an island,” and emphasizes the strength of the bonds that can tie us together in this realization.

Reconstructing identities

June 26–July 29 | Opening Reception: Wednesday, June 26, 3–5 p.m.

First Floor Galleries and the Angela Fowler Memorial Gallery,
Chautauqua Institution,
Chautauqua , NY

Curated by Erika Diamond, assistant director of VACI Galleries, this exhibition features work by contemporary artists Sonya Clark, April D. Felipe, Roberto Lugo, Jiha Moon and Wendy Red Star. These artists who work in photography, sculpture and painting, reconfigure symbols and archetypes related to their cultural heritage. Their works rely on the reconstruction of familiar objects and tropes to simultaneously deconstruct assumptions around historical narratives, complicating not only their personal and cultural identity, but the idea of representation in art.

https://chq.org/season/arts-entertainment/visual-arts/galleries-exhibitions/eventdetail/19675/reconstructing-identities?fbclid=IwAR11N7KaxlPgAxhQskiEkDGFlvkRV2q8uf4XjAMYwg4Itf9c9dVSA6zUwtI

It only counts if you take a big piece, Mindy Solomon Gallery

April 20 – May 25, 2019
Super Future Kid, Jennifer Lefort, Jiha Moon, Kiyoshi Kaneshiro

There is something really great about bright color. It reminds me of candy. Delicious sugary tart confections; the kind with no expiration date, each chew something decadent. Deeply ground into your molars. You just know it’s wreaking havoc in so many different ways but nothing is as satisfying as that moment. The repercussions don’t exist. After the bag is empty, the box unshakeable…then it counts. That big undeniably gargantuan ah oh. I took the first bite and the last bite, and everything in between. I get it now. It’s going to hurt. Call it my chunk of the rock. The American dream presented in high fructose corn syrup. The one I can afford. After all, it only counts if you take a big piece.

Read more

Review: Cultural collision and cuteness abound in Jiha Moon’s solo show - AJC.com, December 2018

By Felicia Feaster

Atlanta-based, South Korean-born artist Jiha Moon’s paintings look like contained explosions, the world blown to smithereens. There’s the suggestive tang of gunpowder in the air and billowing smoke seems to dissipate as we contemplate her manic miasmas of color and form.

But look closely at Moon’s works painted on glossy Mylar, and all is not destruction and chaos. Instead there are folk tales and familiar apparitions emerging from the fog: beasts and sprites, dragons and fish, twisting trees and peeping eyeballs watching us as we watch them.

Read more